Women who use makeup are literally self effacing, scrubbing off their real identity only to paint on a new appearance using mascara, black slightly smudged eyeliner, concealer, foundation, blusher, lipstick and blonde hair dye. Women at work literally constrict and limit themselves, deforming and reshaping their real bodies in cinched clothing, high heels and tight skirts.
So what? you say. The make-up's empowering. It's a way for women to assert their feminine identity at work, express themselves regardless of society's and men's desires, and paint themselves purple.
If only.The fact is, women change their appearance to be clones of the same blonde, busty woman with pink cheeks and thick black eyelashes. The way that all women strive for this particular Barbie look indicates the existence of a prototype of feminine beauty, heralded by the ironically misogynistic women's mags. A so-called 'enhancement' of women's appearance is a way for them to feel powerful at work, and a way for them to bridge the gender gap, some say. Yet the disparity between expectations of women's and men's appearance in a professional context indicates an aesthetic gap that still points to the pay gap - 12.8% - between men and women in full-time work. Women use make-up to make them feel confident and strong, rather than relying on inner confidence and strength, and in doing so they perpetuate the idea that a woman still needs to appeal to a male sexual appetite in order to succeed in the workplace.
Maybe makeup enables a woman to feel confident and strong at work- or maybe women's use of makeup is a denial of their identity, their make-up. Maybe the slap is a signal that, even at work, women are still just eye candy.
Showing posts with label appearance. Show all posts
Showing posts with label appearance. Show all posts
Sunday, January 4, 2009
Monday, August 25, 2008
the traveller
Foot
loose
and fancyfree
I slipped my sandals under
the seat opposite me,
tipped my toes
onto the ledge so that my legs were a bridge
between the train's cool cushion
and myself, later bridging the gap
between the train and platform,
transporting me
from door to distant land
like a sultan who disrobes,
weary from battle and the weight
of royal matters, settles atop a silky seat -
so do my feet, released from sweaty sandals
glitter with sun-brown battle scars.
Like a traveller
who's been granted royal protection I bow low,
and smile and tell them it's not far...
loose
and fancyfree
I slipped my sandals under
the seat opposite me,
tipped my toes
onto the ledge so that my legs were a bridge
between the train's cool cushion
and myself, later bridging the gap
between the train and platform,
transporting me
from door to distant land
like a sultan who disrobes,
weary from battle and the weight
of royal matters, settles atop a silky seat -
so do my feet, released from sweaty sandals
glitter with sun-brown battle scars.
Like a traveller
who's been granted royal protection I bow low,
and smile and tell them it's not far...
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