Thursday, August 5, 2010
memory and the Pergamon
I think memory's more fickle than that; the most recently written moments can sometimes be the most quickly forgotten. It's not all totally chronological, as a palimpsest is, with the oldest script fading fastest. Ancient, instinctive, primeval memories - of fear, love, of mother and father - are the oldest ones, yet they are also the ones that stick the strongest. The most easily legible memory in our brains can sometimes be the one that was written long ago.
Perhaps here, in the Pergamon museum in Berlin - a place brimming with relics of the past, with memory made literal - I can find a better metaphor for memory, a blueprint of how and why we remember what we do.
Everyone is moving to Berlin
It’s all going down in East Berlin.She swept her long hair over her shoulder and swayed the table decisively. He looked at her and took a little sip of his cool beer. He'll never be able to fit me in, she thought, between that faded old sofa and the cranky fridge with half-drunk bottles of Weisswein and the hung-up washing and steaming cups of dark tea on the sideboard of the shop. Never, if not tonight. She thought he'd liked her that day on the U-Bahn. She couldn’t work out what was a memory and what she’d invented. Was he itching to take her bottom lip between his teeth, as she was, and gently bite?
He paid for her drink and winced. “Sorry, my contacts, hang on a sec.” He was so polite, it was exhausting. It was a little cold. She wanted him to warm her up, to put his electrifying fingers on her shoulders and squeeze.
“Got a light?”
“Sure.” He flicked a flame between their lips, briefly. Crumpled lung chrysalis. Was it just breath, or was there something else forming between them, as sweet and flickering as smoke?
(This post was inspired by Lail Arad's song, Everyone is moving to Berlin and first appeared on The Doodle Caboodle)
Blackberry Sonnet
white irises. Her hair was spilt libation on his forehead. She tipped
her liquid lips to his, and drank to the world he'd turned his back on.
She turned and said a silent thanks to the world that had stripped her
of him, that had held his neck crooked across the cliff
and wondered
what the sea tasted like
------------from that great height
-------------------------what bones sound like
--------------------------------------when the whole world sucks them stiff.
She turned, kiss still on mouth, and cursed the world that never really let them be.
As silence rose, she caught sight of his snagged arms, poured earth
over his forehead and turned and fled, weeping
--------------------------------------------------------to the silent sea.
This sonnet was inspired byLaura Marling's song, Blackberry Stone
and was first published on The Doodle Caboodle
Dental Trauma
I have bit
my tongue for too long
on this one.
I know that conscience
and the cold bite hard,
and rhyme is a twisting
tongue, is a sound leaf
caught between
two lines of teeth,
but this was torture.
II
Your cigarette
was a lovebite at the night's
cold neck
a brush of teeth along her black
back, a perfect kiss
in the cold air. So when
your lips brushed mine
I could not help but wonder
how,
between the rush
of teenage lust and tooth
and tongue, salivasap,
your lip
managed to trap
itself between my metal brace
and gum, biting
itself into submission
bleeding, suffering, then numb
as kisses became kickboxing
attempts
to escape, save face,
to free your tongue
like a bird of song
from its newfound cage:
my bruising, glinting brace.
This poem first appeared here: The Doodle Caboodle
The Doodle Caboodle
Yes please. So I am now writing for the blog. I'll post my pieces here too. In the meanwhile, do visit The Doodle Caboodle if you have time, as it's supercool and the artists illustrating on it are very talented indeed.